SLAC Today is
available online at:
http://today.slac.stanford.edu
In this issue:
SLAC Adds Second Blackbox
Bill Wisniewski: Everything in Moderation
Reminder: SLAC Blood Drive Today
Save the Date: Let's Talk About Stroke
Conservation Tip of the Week
Wednesday - April 2, 2008 |
SLAC Adds Second BlackboxGrowing demand for computing power spurred the decision to obtain a second Sun Microsystems Blackbox at SLAC. To meet significant amounts of streaming data from ATLAS and GLAST simulation and mock data challenges, as well as BaBar's final data, a second Blackbox has been secured adjacent to the first one, installed last year behind the electrical substation at Building 50. The largely self-contained data center is an efficient way to boost SLAC's overall computing capacity and is quicker and easier than building additional building space. "We needed the additional capacity this year," Scientific Computing and Commuting Services (SCCS) Assistant Director Chuck Boeheim said. "With the first Blackbox working out very well, we invested in a second to meet increasing need." Read more... |
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Bill Wisniewski: Everything in ModerationThe stacks of paper in Bill Wisniewski’s office attest to the time he spends working. But, like the rest of us, the BaBar technical coordinator balances his professional life by pursuing outside interests. A man of peculiar tastes, Wisniewski squeezes in stimulation by going to the opera, sampling wine and studying Gothic architecture. "I was always fascinated with the Middle Ages," he said. "Gothic architecture was a natural outgrowth of that." Gothic architecture captured Wisniewski’s attention in grade school. Growing up in Brooklyn, he explains, there were not many buildings to supplement what he learned from books. Since then, Wisniewski has visited cathedrals, abbeys and churches all across France, England and Germany. "In Burgundy it was interesting to see gothic elements that I’d read about, in action," he said "That’s when it clicked that what one art historian had written wasn't crazy." In grad school, a neighboring student would occasionally pass opera tickets to Wisniewski. But it wasn't until he saw Giuseppe Verdi's "Otello" with Plácido Domingo in L.A. that his affinity with opera took concrete shape. Read more... |
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